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Friday, October 11, 2013

If you visit my blog

Just a reminder...
Be sure that when you scroll down all the posts, at the bottom of the page be sure to click on
'Older Posts" to see all the pictures and information posted since I began the blog  in 2010-they would be easy to miss...Thanks, Wendy

Take Time For Wine

This painting was something I did a few weeks ago just for fun, but it really turned out okay. I had so much fun painting something different, it was effortless, it just flowed. I will do it again, I learned so much just creating this. I wasn't going to use it at the exhibit on Sunday, but Judy like it better than my other option, My Blue Kitty, so here it is.

Born and raised in the Napa Valley, my link to the wine industry is a huge part of me and my life. My parents owned property off of Zinfandel Lane in St. Helena, California, and where our home and  my swing set once set is now the location of a very prestigious winery, Raymond Cellars. My parents had acres and acres which were then walnut orchards, there were very few wineries then.

Prohibition was a period of nearly fourteen years of U.S. history in which the manufacture, sale, and transportation of liquor was made illegal. It led to the first and only time an Amendment to the U.S. Constitution was repealed. Grapes and vineyards were removed from 1920-1933, and farmers turned to alternative crops for their living during the mid 1950's. The intention was to reduce the consumption of alcohol by eliminating businesses that manufactured, distributed and sold it. Considered by many as a failed social and political experiment, the era changed the way many Americans view alcoholic beverages, enhancing the realization that federal government control cannot always take the place of personal responsibility.

On December 5, 1933, the 21st Amendment to the U.S. Constitution was ratified. The 21st Amendment repealed the 18th Amendment, making alcohol once again legal. This was the first and only time in U.S. history that an Amendment has been repealed.

Today, the Napa Valley is home to hundreds of wineries, and the 30 miles which stretch from the town of Napa to Calistoga are covered with vineyards, and of course, tourists!





I love painting anything associated with the wine industry, but so often these paintings are still life paintings with a bottle of wine, a glass and a cluster of grapes. These are nice, and I've painted them several times before, but  I wanted my work to feel alive, and show the passion and love I have for the subject matter. There is a lot of emotion in pouring wine, it’s not just sitting there with grapes and fruit, it’s about the visual beauty, the smell , the taste, the aroma, the anticipation, and the color. When I worked at Christian Brothers Winery in public relations in the 1980's I encouraged visitors to the winery to 'see, swirl, smell sip and savor' every drink. We called this the 5 S's of wine drinking, but I recommended 6 S's-(swallow). That 6th "S" completed the experience.


"A relationship is like a glass of fine wine - if you don't fill it with passion, treat it with respect or savour the love - it will run out."

 
 
These photos appeared in myvinespot.com, a wine appreciation blog, and was the inspiration for my painting.
 
 
 
 

 
 Decisions, decisions. Should I have Chardonnay, Zinfandel, or a deep dark full bodied Cabernet? With this painting you can have all 3! To be completely candid, I did make improvements and changes which did not get photographed, but if this doesn't sell at the showcase on Sunday I will post photos of the completed project.

Emerging Artist Showcase Announcement Sunday October 13, 2-5pm

UPTOWN ARTWORKS NEWSLETTER
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"Carol & Judy present - Emerging Artist Showcase"

 

Tell a friend and bring a friend Uptown to enjoy the ART from these local emerging artists. It's always FREE to attend, and we'll have snacks, drinks, and of course plenty of conversation about the exhibit! 


Join us at Uptown Artworks
 where Carol Moates & Judy Meyler will present a collection of art from Terry Anderson, Elaine Berry, Janet Berry, Shawna Brown,
 Wendy Evensen, Gwen Flowers, Chuck Forrester, Brenda Frizzell, Jan Geismar, Bill Harris, Beth Holland, Stella Jones, Deirdre Kevorkian, Becky Koonts, Rianna Philpott, Sandy Pittman, Jackie Reid, Pam Rothkopt,
Linda Ueland, and Meda Woods.
 
 


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2013 Artstock Studio Tour @ Uptown Artworks
 http://uptownartworks.us5.list-manage.com/track/click?u=8e79493109f9928198afcc8fd&id=bd8d4785e1&e=843bf0fa4f
OCTOBER 12th, 10-5pm  and OCTOBER 13th, 1-5pm

Artstock developed from the Artist's Support System Established Synergy. It was started in 1996 by a small group of local artists to provide support and share ideas and concerns. Two years later, in 1998, the first Artstock Studio Tour took place. The group meets regularly to plan the Piedmont Triad event for the second weekend of October.

Artstock collectively represents individual visual artists in the Greater Greensboro area by presenting the annual Artstock Studio Tour. With over 80 individual artists participating, the tour promotes the distinctive talent of each artist, and in turn underlines the creativity within our broader community.

The participating artists display their work in their own studios as well as at group and gallery locations. This tour is free and open to the public - look for the red balloons at each location!

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Do you have your own studio space for your artwork?
 http://uptownartworks.us5.list-manage.com/track/click?u=8e79493109f9928198afcc8fd&id=45e6b66256&e=843bf0fa4f http://uptownartworks.us5.list-manage1.com/track/click?u=8e79493109f9928198afcc8fd&id=1e26a67a95&e=843bf0fa4f
Do you paint out of your bedroom, laundry room, or dining room, but scared you might spill paint on the carpet? Or are you one of the lucky artists with your own converted garage into a studio? Maybe you have a rented space that no longer fits your needs or desire for positive energy?! Does your space allow for a computer, an easel, a work-desk so that you can create? No more wishful thinking, studio space #11 is currently available, studio #9 will come available the 1st of October, and just as important... we have other artists to be creative alongside!
We offer 3 month, 6 month, and yearly terms.

This is a 5,500 sqft building with 24 hour access, alarm system, WiFi, 2 restrooms, work sink, upfront parking, workshops, monthly art exhibits, and more...

Contact jOseph at 336-255-6345 or UptownArtworks@gmail.com to reserve a studio space (no.9 & 10 are both 9' x 14' space @$1.25 a square foot for yearly lease)!

More information about the studio, photos, and current artists, visit our websites
http://www.UptownArtworks.org and http://www.facebook.com/UptownArtworks
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IN CASE YOU MISSED THIS (facebook)...



Jay Bruni sold another piece of artwork during his "Temptation: the Forbidden Fruit" exhibit and Visual Arts Professor Darlene McClinton, a NC A&T SU PH.D in Education & Cultural Studies has joined us and is in studio no.12


Finally met local artist Sunny Solsircuz and discussed with him, the 2014 exhibit (Amplify the Abstract) with artists Aliana Grace Bailey and Kevin Burnette (not shown)!



With the help of our contractor Eddie, we finally added the rest of the crown molding to all of the studio spaces. Now to repaint the walls to complete the look.

We/I also decided to experiment with Black walls near the office to added as an additional gallery wall and WOW, does it look good! #Hmmm



OUR GOAL HERE @ UPTOWN ARTWORKS IS TO BRING EVENTS, PEOPLE, BUSINESS AND THE COMMUNITY TOGETHER! #SeeYouSoon
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Uptown Artworks
1007 Arnold Street, Greensboro NC 27405
(between East Bessemer Ave & East Wendover Ave)
 - map & directions
(336) 255 -6345

Like our facebook page here - facebook.com/UptownArtworks

 



Carol & Judy present: Emerging Artist Showcase ~ Second Sunday, October 13th from 2-5pm



 

 




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You are receiving this email because you opted in either at our website or by providing your contact info through our studio sign-in sheet. Thanks you!

Our mailing address is:
Uptown Artworks
1007 Arnold Street
Greensboro, NC 27405
 
 

 
 

 

 

Wednesday, October 9, 2013

Bearded Iris

My challenge
 
The most challenging aspect of my study of painting is understanding and controlling color relationships, particularly those involving value and color temperature.

This is definitely a work in progress.
My version of a bearded painted iris..from beginning to end.

 
I have discovered that I do NOT do my best work when I am tired.
This was day 1

This was day 2
 
Again, a pure delight to see it come to life.

This painting was done from start to finish is less than 5 hours

When learning to paint, the worst thing you can do is compare yourself to others, fret over finished works and worry about your current level of ability. The best thing you can do is paint frequently, experiment with different techniques and be unafraid to make mistakes.

I really, really loved doing this one.

 
This is the first painting that I've completed that seemed effortless.

I believe this...

Painting, like drawing, is a skill that can be acquired through study and practice, not a magical inborn "talent" granted only to a few.


Painting #3-My Version of a Blue Kitty

The Frog

Here's the second painting completed in week 2.
My daughter and I painted from the same photograph.

 
 
Here is my version in oil
 
 
 

Our First Class

Judy recommend doing a monochromatic value study of a cup and saucer that she borrowed from the church kitchen-this was fun!

Leonardo got it right!

The mind of the painter must resemble a mirror, which always takes on the color of the object it reflects and is completely occupied by the images of as many objects are in front of it.
- Leonardo da Vinci

Summer is such a busy time at our house

Actually it all begins in the early spring.
Planning the garden, getting the plants, preparing the soil, planting everything.
I only do the planning, but it only takes a few weeks before the real work begins for me.
The picking, the preparing, the utilization of the harvest.
It all begins with strawberries and doesn't end until late October when the last of the vegetables are harvested.




This all relates to painting because the garden takes top priority.
But my daughter, Shawna and I took a painting class during the summer.
I didn't think I would have time for the classes, much less painting, but just like the rapid passing of the seasons, the class came and went, and the class definitely rekindled my passion for painting.



Judy Meyler, a fabulous lady and extremely talented artist was our teacher, and it was a wonderful experience for both of us. Here are some photos to show her unbelievable talent:
 
Such talent, her work captures every detail.
 
Some of Judy's beautiful florals-I especially admire these
 


 
 
And one of my personal favorites-Pretty Kitty
 
 
 
 
 
And so painting again becomes a priority!


 

My Little Chickadees

This was painted during the winter of 2012.
It was cold and snow was predicted, so it suited my mood.

I see dozens of things I would do over if I ever painted it again, but I love these little birds.
I spent so much of my focus and time painting the trees in the background that it overshadowed the chickadees. Next time I'll do it different.

The black capped chickadee is almost universally considered “cute” thanks to its oversized round head, tiny body, and curiosity about everything, including humans. The chickadee’s black cap and bib; white cheeks; gray back, wings, and tail; and whitish underside with buffy sides are distinctive. Its habit of investigating people and everything else in its home territory, and quickness to discover bird feeders, make it one of the first birds most people learn.  I will paint them again-soon.

It's been 2 years~

I would rather paint than almost anything else in the world, so why has it been so long since my last post?
The answer is simple..life gets first priority.
That's it.
And the problem with painting is that the more you do it the better you get. As with most things in life, practice makes perfect. And everytime these interruptions happen, I almost feel like I'm a newbie again. Yes in time and with patience it comes back, but I definitely digress.

At this rate I will always be an 'emerging artist'. Painting scenes from my life and memory, I slowly uncover forms, shadows and relationships not initially remembered.  The unsettling air in the paint begins to contradict the nameable world of flowers, bowls and coffee cups.  The paintings’ apparent delight quietly unravels into colored aberration, illusions into brushed marks, and despite the passage of time, I literally move into each new canvas and loose track of the hours and time.

 
This was completed in 2012. This photo doesn't show it, but it is a huge painting which hangs in the dining room, 36" by 48". It resinates from my childhood memories from the Napa Valley.

 
 
 

Saturday, June 11, 2011

I almost forgot this one...

This painting was on of my early projects, and I actually thought I had posted it to either the web page or the blog, but apparently I didn't. Here it is. It is called Peony.

This painting and one other are on display at Sadie's of Stokesdale(formerly Sadie Scarecrow's Herbal Garden). Stop by and take a peek at the 'all new' Sadie's!



This was so much fun to paint. It was pure joy, and I hope you can see that in the painting. I find complete relaxation when I paint....

This may not make sense, but....



This is my 'Echinacea Butterfly' halfway done...



This is my completed 'Echinacea Butterfly' finished...Yes, the canvas is an oval, and that shows in the completed photograph. I have painted the edges so that a frame is not necessary.

Suze Orman says, quite accurately, that women are more relational than men. A woman cannot do well with anything in her life, unless she has a relationship with it. While Suze is talking about women and money, I think this idea is important. How many things do you have in your life, and how many of these things do you see in terms of relationship?

For me, one of these things is my artwork. I have never considered that I have a relationship with it, nor have I felt that having a relationship with my art is important. I have always considered my art to be an extension of myself, the "self" within. When I post my work online I often feel vulnerable, as though I have exposed something that should be kept covered up and private. It feels as though I am baring my soul for the world to see. Perhaps that is true, but there are other forces at work here too.

If you were to ask me if I had a relationship with my art, I'd have thought for a moment and felt, in a vague way, that it was a relationship of sorts, but a contentious one.

Sometimes unexpectedly when working in my attic on a painting I experience something unexplanable when working on a painting-this happened with my current piece of work. I realized, quite suddenly, that this is more than an extension of the self. I suddenly understood that I have to build a relationship with this activity. I have to love it unconditionally, appreciate it, build on it, trust it, believe in it, nurture it, as I would any important relationship in my life. Then, and only then, am going to be able to relate to it as intimately.

The brass tacks of painting will never be the same for me. I have a profoundly intimate relationship with something of beauty and delicate substance, if I chose to honor it with my love. And I do.